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Drafting a book on the Art of Description in Literature

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Scotland 2013 The aim of this as-yet-unwritten book is to explore "description" in terms of  (1) creative craft (2) critical analysis. Proposed Contents The extinction/manipulation of vision Beyond visualization? Description before the era of photography and film The role of conventions and traditions How writers deploy ambiguity and contradiction for effect Making lists: enumeration The romantic description The aesthetics of the sublime The aesthetics of the beautiful Creating a sense of disgust Creating a sense of horror Description of character Employing multiple sensations Communicating mood and tone The Point of View Tilting and Panning The Panorama The Frame The use of zoom control The Guided Tour Towards Abstraction: generality and description Lega

Are you a connected learner?

A quick-reference list of the qualities and actions of a connected learner : Mindful of others’ beliefs and interests Able to step back from conflict and reposition debate Share what you find useful Adopts essential technical and hardware skills for interactivity and participation Updates knowledge of appropriate software and other interfaces Distinguishes between more and less relevant or reliable sources Builds networks Increases valued connections Foster community development Joins and connects in order to make meaning Filters and selects information Asks difficult questions Explores the opportunity to rethink Pushes solutions beyond initial proposal Fosters appreciative inquiry Open to new ideas rather than aloof and disengaged Takes delight in having a responsibility for the direction of your learning

A Quick Guide to Writing an Abstract

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But will your abstract fit inside the box? If you have been reading my blog on The Art of the Abstract , are you now ready for the quick guide? FORMAT Use one paragraph. Stick to the word length. Check the format style guides for the journal or awarding body / institution. Employ a professional style STYLE Use language that will be understood by readers in your field. Consider also the needs of the general reader. Think about the most relevant key words that need emphasis Write short sentences. Very short. Employ transitions between the sentences. Use the active voice, rather than passive constructions Use the third person singular. IT. Choose the past tense in the main body. Check your grammar Avoid abbreviations. Provide clear statements: avoid loose opinions. Employ the present tense for the introduction and the conclusion. PROCESS Learn from other respected scholars in your chosen field. Read journal abstracts in order to beco

The Art of the Abstract

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  ' Supervisor, I found Yorick's Abstract. ' “ Do you hear, let them be well used, for they are the abstract and brief chronicles of the time. After your death you were better have a bad epitaph than their ill report while you live .” --- Shakespeare’s Hamlet . Nowadays there is more pressure than ever to publish often and early. Such is the plight of the doctoral student and the early career academic; such is the life of any career academic. One of the tricks of the trade that every academic learns is how to write an effective abstract. Typically this activity was undertaken at the end of the third year of the Ph.D and was part of the processing of submitting your work for critical scrutiny. But really we were abstracting all the way along. The ability to compose a quick summary of what you have been reading is the beginning of abstraction. It’s a useful habit to acquire early in one’s intellectual development. What you find in the abstract will als

The Art of Connection: The Social Life of Sentences

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Do you find that you waste time wondering how to start the next sentence? Do you find yourself lost for words when you are required to link your ideas coherently and persuasively? Do your sentences flow together and support the larger structure? Do you want your writing to communicate more effectively and efficiently? The Art of Connection: the Social Life of Sentences is an innovative practical book that explains the Nine Arts of Connection: Location, Timing, Comparison, Contrast and Difference, the Supplement, Disputation, Sequence, Example and Illustration, and the Summary. By following the easy to use guides and examples provided in this book, writers can learn how to write fluently and begin to enjoy the process of composition. Whether you are a student or learning English for the first time, this book will assist you to write successfully to achieve your goals. By dividing the common words and phrases used to signal transition and connection into nine cat

Tips on Personal Statements for entry to Universities / UCAS

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This was my Hall of Residence at University in Scotland Personal Statements for entry to British Universities Scrap any items that are trivial, too personal, or really not relevant to your university course. Link facts about your experience to the values and skills learned Language should be clear and precise. Avoid rhetorical flourishes and stilted language Check reports, comments and reviews of your work for tangible positive statements. Always ask other professionals to read your draft statement. Thinking critically and creatively about the feedback offered. Don’t let yourself down with grammatical mistakes, awkward style and spelling mistakes. These send alarm bells ringing and indicate that you lack a professional approach. Humour is always a risk and generally to be avoided, unless you are applying for a degree in  Comedy. Remember that any claims that you make will be tested at your i

Persuasive Writing and a Letter of Complaint

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The Rep Theatre and the Library of Birmingham This blog briefly shares parts of a recent exercise with students. The first aim was to undertake reading and writing exercises in order to gain a better understanding of techniques of persuasion . The second aim was to turn the exercise upside down by writing a highly critical review , or a letter of complaint . We also deployed speaking exercises in the form of  radio-style interviews, a phone-in, and social media interactive engagement such as short text and tweet responses. The underlying aims were vocabulary building and confident use of language. Our first task was to study the vocabulary used in advertisements and marketing/advertising material. These were drawn from a Children's Guide to Leisure Activities in the Black Country (West Midlands, UK);  Rewriting the Book - Discovery Season - Library of Birmingham; and What's On at the beacon Arts centre, Greenock, Scotland. Initially students were asked to s

Most popular blogs 2012 - 13

How to ensure that your First Year @ University is... PhD Roadmap: 9 Tips for a Successful Doctoral Subm... The Art of Description: 25 Tips What's wrong with using "said" in composition and ... 52 Creative Writing Activities Essay Writing Techniques (with some Tips from Shak... 63 Tips for More Effective Memory and Recall of Qu... Othello. 20 Recommended Resources on Shakespeare's... Gender, Women's Writing and Feminism For and Against Memorizing Poetry

Locke's thoughts on logic, rhetoric, reading and Cervantes

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Don Quixote The empiricist philosopher, John Locke (1632 – 1704), is best know for his Essay concerning Human Understanding (1690) and Two Treatises of Government (1689). Also important are his Letters concerning Toleration (1689, 1690, 1692) and Some Thoughts Concerning Education (1693). But it was just today that I came across a reprint of his manuscript Some thoughts concerning reading and study for a gentleman (1703) which Dr Johnson's quotes from in his dictionary definition of rhetorick. I was particularly interested to reflect on Locke's notion of connectness in education. Since the text is interesting in its own right I have copied the extracts that follow from it. The first is from the opening; the second praises Cervantes' novel Don Quixote (1605) Locke concluded his thoughts by recommending the use of dictionaries and encyclopaedias. [p. 405] Reading is for the improvement of the understanding. The improvement of the unders

Joseph and Charles as Monsters in Sheridan's "The School for Scandal."

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Strictures on The School for Scandal (1777) from The London Magazine (April 1783), pp. 169-172. A Play composed by Richard Brinsley Sheridan. Charles , to whom the affections of the audience are chiefly conciliated, is a young profligate spark of fashion, without Å“conomy, temperance, or consideration; who having spent his all, minds nothing but how to get more, without the vulgar means of industry; who cares not how much he squanders of what is not his own, provided he can be a rogue in an honest way, or possess another's property without risquing his neck; in short, he is one of thole modern fine gentlemen, who devote their whole substance, time, and talents, alternately, to wine, gambling, and gallantry. Surely a character of this kind, endowed with so many agreeable qualities as meet in him, is the very worst spectacle our youth can behold. From such polluted and enchanting scenes the increasing profligacy of the nation mull originate. What can be a grosser pros

Use of Connectives and Transitions in Composition

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Connected Brain Zones § 371. IV. The use of connectives . The words of connection and transition between clauses, members, and sentences, may be made, according to the skill or the awkwardness of the writer, sources of strength or of weakness. It is always a source of weakness for two prepositions, having different antecedents, to be co-ordinated in connection with a common subsequent . This mode of expression has been called "the splitting of particles;" a name not very applicable to it as it occurs in English construction. The proper name for it is the one implied in the italicized words above. The following is an example. "Though personally unknown to, I have always been an admirer of, Mr. Calhoun." The way to correct it is to complete the first clause, and let the last, if either, be elliptic; thus: "Though personally unknown to Mr. Calhoun, I have always admired him," or "been an admirer of him." It is pro

The arrangement of sentences in a paragraph

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Order of Sentences in a Paragraph Classic Advice on the construction of a paragraph ... § 365. III. The arrangement of sentences in a paragraph .*  In every extended paragraph the bearing of every sentence upon what precedes should be explicit and unmistakable. This is principally effected by the use of conjunctions and contextual phrases, the rules for which will be given in the next division of the chapter. § 366. When several consecutive sentences develop or illustrate the same idea, they should, as far as possible, be formed alike. This is called the rule of Parallel Construction. § 367. The opening sentence of a paragraph, unless obviously preparatory, should indicate with some prominence the topic of the paragraph. § 368. In the course of the paragraph there should occur no dislocations , that is, sudden turns of thought, such as would create confusion. But the entire paragraph should possess unity, having a definite purpose, and avoiding all dig

Bonnell's list of topics for debate in class (1867)

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In A Manual of the Art of Prose Composition: For the Use of Colleges and Schools (1867), John Mitchell Bonnell explained the value of Extemporaneous Composition;   Debating by the Class; and proposed a list of topics for debate. This is an extract from his book. The following list presents a few of the questions that afford good fields for debate. Does wealth exert more influence than intelligence? Should a criminal be capitally condemned on circumstantial evidence? Are banks more beneficial than injurious? Ought military schools to be encouraged? Should colleges be endowed? Did the French revolution advance the cause of liberty in Europe? Is there any real danger of the over-population of the globe? Is country life more favourable to the cultivation of virtue than life in a city? Is history a more useful study than biography? Is ambition more destructive of personal happiness than avarice? Is it the duty of good men