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A Ticklish Subject

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Slavoj Žižek The anxious researcher is unsure about placing the entry on philosophical humour between phallic ritual and physical comedy . Encyclopaedic collisions and incongruities abound. Is this a breach of academic decorum? Would it be safer simply to abandon the alphabetical approach to comedy and humour in this book on Aspects of Comedy ? Another anxiety: is this entry concerned with the philosophy of humour, or humour in philosophy? How much space should be allocated to Slavoj Žižek? (A philosopher, a public intellectual, and a comedian). In parenthesis --- ("there is a case to be made that Slavoj Žižek is really the Ken Dodd of post-Lacanian Hegelianism." --- Lindesay Irvine, Guardian , 6 January 2012, here ) --- And how funny is Žižek's The Ticklish Subject: the absent centre of political ontology (Verso, 1999)? I have my doubts. I guess his work will always divide opinion. Take a look at his highly controversial review essay on Benig

Intro Shakespearean Tragedy

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The publication of a new edition of Bradley’s Shakespearean Tragedy (1904) presents a timely opportunity to explore a classic expression of the theory and practice of tragic drama. This is also an opportunity for new readers to encounter a distinctive appreciation of Shakespeare’s work in the context of more recent literary and cultural theories. In the process, the obstacles to a clear understanding of what Bradley thought are explored, and we seek to explain why many critics were often hostile to his writings on Shakespeare. We then proceed to an interrogation of Bradley’s philosophy of tragedy in the context the wider project of the development of English Studies as an educational discipline since the end of the nineteenth century. This frame of analysis will also be informed by recent post-colonial theories which will be positioned within the context of literary study understood as a distinctive project of enlightened humane education. [...] One of the predicamen