The English Miscellany

If you own a Kindle, Nook, or other ebook reader you will be familiar with the problem that the majority of texts do not have fixed page numbers. They will also display the same text in different way. This means that the location of a quotation in one digital format will be different from another. Obviously if you are downloading a pdf there will be fixed page numbers to refer to. Readers who want to locate and check your quotations can of course simply search for key words within the text. Also, you can indicate which section of the book you are referring to by including a chapter reference. Therefore you ought to write in this style McCormick (2013) outlines the art of disputation (ch. 7) and the art of the supplement (ch. 6). and quotations like this McCormick (2013) argues that 'the use of transition words is highly effective in logical thinking' (ch 1.5). Note that in the example above, the reference helpfully also provides a note of the subsection 5 of chap...

What a delight to be seeing and hearing more from Leeds, UK, where I was fortunate to be born, and to which I returned in 1990-3 to study for my doctorate in English Literature with Prof. David Fairer at the University of Leeds. The most recent discovery was the John Betjeman film which was never broadcast. I suspect that the BBC did not consider that it could risk a strong regional angle at this time? It's delightful to hear the Poet Laureate John Betjeman praising 'Nonconformist Leeds, sturdy and prickly'; delighting in the Victorian wonders of the city and bemoaning the monstrosities of modernity, most of which have now been wisely demolished. He appreciation of the city comes across and warm and sincere. He delights in the poverty and community of the back-to-back houses in Armley, and deplores the municipal planning that produced Seacroft town centre. Whitelocks Bar, Leeds The BBC has also recently broadcast a radio documentary celebrating Whitelock'...

Are you still sharpening your use of academic language, or are you loosening the reins? The title of this blog points to the tensions involved in professional educational writing. In one sense the purely personal, original, pre-academic voice is a fiction. By joining the ranks of academe your voice has already begun to switch from a personal to a public voice. Taking the micky becomes parody or satire , for instance. Academic writing loses colloquial speech-like qualities and takes on the jargon of professional authenticity. And speech also tends to lose the accent and dialect of your class roots. Sadly, standard academic English is a rather middle-class business proposition. There is a gain but there is also a loss. But academic voice in the arts and the social sciences need not be the bleak accent of dry neutrality and emotionless abstraction. Surely there's an error in losing the individual idiosyncrasy of the human pulse in this domain of work? While it is true that ...

From time to time PhDs are submitted and they are failed . Your 3 to 7 year investment does not come with any guarantee of a pass. Nor is it enough complain that the supervisory team did not tell you that you might fail, or that you are at risk. While failure is very uncommon, there are no guarantees of success. Most examiners are looking for positive evidence of success, but they are also required to identify weaknesses and errors. Both roles comprise the work of critical scrutiny and the professional process of examination. On one occasion when I was serving as a PhD examiner we required major corrections with a 24 month timetable as that seemed to be the alternative to a failure. But the alarm bells ought to have been clear well before submission. Multiple errors and weaknesses may result in protracted re-submission or even outright failure. Examiners often spot weaknesses that your supervisors may not have identified or scrupulously checked. It is not uncommon for ...