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Showing posts with the label composition

Sport, Music and Composition

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Quintilian, a highly esteemed Latin rhetorician, argues that composition involves learning a skill. He compares composition with the craft of the musician and with the skills of the sportsman. In his larger project, writing is linked with civic participation, with the arts of cultivation, and with the progress from the natural savage to a state of civilization. Writing should aim to flow harmoniously. Quintilian's Institutes of the Orator , Book 9 (trans. charles Rollin, 1774), 143-146. I well know, that there are some, who will not allow of any care in composition, contending that our words as they flow by chance, how uncouth soever they may sound, are not only more natural, but likewise more manly. If what first sprung from nature, indebted for nothing to care and industry, be only what they deem natural, I allow that the art of oratory in this respect has no pretensions to that quality.  For it is certain that the first men did not speak according to the

Sentence Connection and Transition: a bibliography

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Today I am sharing the FURTHER READING list published in my book The Art of Connection: the Social Life of Sentences (Quibble Academic 2013): Amidon, Arlene. "Children's understanding of sentences with contingent relations: Why are temporal and conditional connectives so difficult?" Journal of Experimental Child Psychology 22.3 (1976): 423-437. Astington, Janet Wilde, Janette Pelletier, and Bruce Homer. "Theory of mind and epistemological development: The relation between children's second-order false-belief understanding and their ability to reason about evidence." New Ideas in Psychology 20.2 (2002): 131-144. Bakewell, Sarah. How to Live: A Life of Montaigne in one question and twenty attempts at an answer . Vintage, 2011. Baker, Linda. "Comprehension monitoring: Identifying and coping with text confusions." Journal of Literacy Research 11.4 (1979): 365-374. Bates, Elisabeth, Philip S. Dale, and Donna Thal. &quo

Creating a Map of Connection and Transition

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Students create their own maps of connection "The creative journey has more departures than arrivals."   Students often have problems thinking about the flow of their ideas within a paragraph. This is not surprising as different thought-pathways occur at each (full) stop.  For instance, having expressed one idea, the next one might illustrate, supplement, qualify, or reverse the preceding sentence.  As a result, our sentence journeys quickly become very complicated. A complex argument often degenerates into confusion, and the sense of feeling lost. Writers and readers need signposts, and they need a map. In reality, writing involves weaving together a complex and dense thread of connectives and transitions. These words have the special function of signalling the direction of travel. They help to maintain a sense of purpose and direction. By using them effectively the writer is able to stick to a plan. Transitions help writing to flow . By thinking about the di