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Creative Writing: 5 Old Problems and 14 New Principles

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Why are boys underperforming in English classes? I am frequently dissatisfied with the resources on, and approaches to, Creative Writing in the Classroom. Five of the Problems: 1. Traditional writing exercises are predictable and dull: e.g. Describe an interesting encounter Make a story based on an overheard conversation Write on a topic chosen by the teacher Do a 60 minute exam essay. 2. Negative criticism from teachers just makes us feel embarrassed and reminds us of our sense of inadequacy. None the less, some creative productions are better than others, and children can be trusted to see this for themselves! 3. The disobedient curriculum. The creative activities outlined were exercises in being grammatical and were not a spelling test. It's so easy to pick on the tick and the cross, the right and the wrong. We need quality of expression rather than quantification of results. 4. There is a gender gap in English studies that needs to be ad

Witty Will-power and Bardic Gender Politics

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Shakespeare in Love with Puns The second part of my exploration of rudeness in Shakespeare couples Sonnet 135 with a discussion of his work written by Dr Samuel Johnson in 1765 In this poem 'Will' is punned in a variety of senses: (1) willpower; (2) Will Shakespeare; (3) a bequest; (4) the penis; (5) future/s. Sense (4) is the one that you are least likely to encounter in discussions that want to shield readers from the reality of the eroticised encounter with the male genitalia.  Whoever hath her wish, thou hast thy Will, And Will to boot, and Will in overplus; More than enough am I, that vex thee still, To thy sweet will making addition thus. Wilt thou, whose will is large and spacious Not once vouchsafe to hide my will in thine? Shall will in others seem right gracious, And in my will no fair acceptance shine? The sea, all water, yet receives rain still, And in abundance addeth to his store; So thou, being rich in Will, add to thy Will One will of mine, t